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There was a poor young man. He was very poor. His father, his mother, and all his relations were dead. He had no lodge, no wife to tan his robes or make his moccasins. His clothes were always old and worn. He had no home. To-day he stopped in one lodge; then to-morrow he ate and slept in another. Thus he lived. He had a good face, but on his cheek was a bad scar.,

Has in her sober livery all things clad.,

The utter want of suspicion in his tone drives Lady Rodney to open action. To do her justice, dislike to Mona has so warped her judgment that she almost believes in the evil she seeks to disseminate about her.,

"How strange!" says Mona. "But how then did you manage?"

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"Yes, but he always doffed it; and he never put one on like ordinary mortals, he always donned it. You can't think what a difference it makes.",

"Why, yes, of course he can," says Mona, without the smallest hesitation. She says it quite naturally, and as though it was the most usual thing in the world for a young man to see a young woman home, through dewy fields and beneath "mellow moons," at half-past ten at night. It is now fully nine, and she cannot yet bear to turn her back upon the enchanting scene before her. Surely in another hour or so it will be time enough to think of home and all other such prosaic facts.,

"You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not.,

"Eh? What?" asks Lady Rodney, in a dazed fashion, yet coming back to life with amazing rapidity. She sits up. Then in an instant the situation explains itself to her; she collects herself, bestows one glance of passionate anger upon Mona, and then rises to welcome Mrs. Carson with her usual suave manner and bland smile, throwing into the former an air meant to convey the flattering idea that for the past week she has been living on the hope of seeing her soon again.